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Only a few years after abandoning
the shaped and painted aluminum sculptures he had developed into such brilliant,
telling forms, downtown artist James Croak presents large-scale assemblages
made of mounted animals and cultural artifacts ranging from miniature model
railroad trees to a full-size 1963 Chevy SuperSport – at 17 feet long,
one of the largest production cars ever manufactured in the United States.
The latter, painted electric blue and red, with a leopardskin dashboard
and window decal that reads "Show Me Your Tits," is actually the
less arresting half of the sculpture: out of the car’s exploded roof
rises a modern Pegasus made of a full-size quarterhorse that died of a heart
attack at Los Alamitos and was purchased on the spot for $75. In the five
pieces comprising Croak’s show, the first organized by Al Nodal for
the Otis art gallery, a mythologizing impulse meets a sharp-edged sense
of humor to form works that push around the borders of what constitutes
art. In the aforementioned Pegasus, the natural strength and vitality of
the horse contrast sharply with the artificial adornments of the car, suffocating
in its shiny sheath of Pep Boys overdress. Elsewhere, a savanna-colored
lioness serves as landscape for the tiny trees that sprout from her back
and the gaping tears in her side. Minute soccer players flee across her
back from a stampeding plastic elephant toward a campsite where two more
little folks cut wood near their parked RV. The hilarity created by this
dizzying confusion of scale almost hides the poignancy of the animal’s
stoic pose. Croak learned a great deal of taxidermy while working with professional
Ernesto Urcid to create these objets, which make up in suggestiveness what
they lack in resolution.
It’s hard to guess the future direction of Croak’s work, but
this environment of quirky hybrids – half inspiration, half dread
– bears a good deal of open-minded looking. Also one or more figures
moved during the exposure. The results are what the artist calls "short
movies referring to a span of time all at one." Otis Art Institute
of the Parsons School of Design, 2401 Wilshire Blvd.; through Dec. 3.
– Leslie Wolf |